Just four years ago, Jon McLaughlin’s Island Records debut propelled his song “Beautiful Disaster” up the charts, with “Beating My Heart” following quickly after. Hollywood immediately took notice of the young songwriter and didn’t stop at just using several of his songs for films and commercials. McLaughlin himself was offered a role in the hit film Enchanted, performing a song that was later nominated for an Academy Award. In 2008, he found himself onstage at the Oscars reprising the tune in front of 32 million US viewers. In between the hit songs and television appearances, true to his hardworking Midwestern roots, McLaughlin spent his nights opening for the likes of Sara Bareilles and Kelly Clarkson, recording with Jason Mraz and writing for other artists.
But the affable McLaughlin was never quite comfortable with the artistic compromises he made along the way. Largely inspired by an extraordinarily close relationship with his fans, he left Island to create an album like he had never done before; one that was filled with lyrics that were a part of him. Careful to note that he genuinely loved working with other songwriters and found great meaning in their collaborative work, McLaughlin nonetheless couldn’t shake his need to be completely responsible for the songs he delivered to his extremely loyal fans. An ardent social media aficionado, his interaction with his audience influenced him to release this album on his own for the first time.
“A lot of songs over the past few years, there’s nothing wrong with them,” Jon explains, “but there was no weight or significance with me. I felt like I was in a way not being completely fair.” “It feels really good to have a record that I’m working on that I can really deliver wholeheartedly knowing that the fans are getting a piece of me,” he continues. “There isn’t a note on the record that I didn’t spend hours scrutinizing over, or at the very least sitting with and playing over and over again. I feel like it’s a real connection to me.”
But McLaughlin’s liberating euphoria surprisingly isn’t the theme for ‘Forever if Ever’. Ironically, the album is filled with powerful, agonizing, gut-wrenching songs about love and loss thereof. “I guess I would call myself a bit of a romantic,” he starts, “but at the same time I’ve always loved those painful break-up songs. There’s something about the agony of love at any level that I am obsessed with, whether it’s that overwhelming love or heartbreaking break up end-of-love. There’s nothing more universal than that. Making ‘Forever if Ever’ reminded me that music is a personal thing,” McLaughlin reveals. “It’s not a corporate business. It’s just music. On my previous albums, I was tied up in a lot of red tape and meetings and actually heard myself say ‘fourth quarter budgets’ at one point.And now I get to be a musician again!”
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Will I be able to sit down?
Some shows have limited seating (or no seating) on a first-come, first-serve basis. Don't worry, though – you will want to be on your feet once the music starts!
Where can I buy tickets for shows at Blueberry Hill Duck Room?
Unless otherwise noted, tickets for shows at Blueberry Hill Duck Room can be purchased in advance on Ticketmaster.com, at The Pageant's Box Office (6161 Delmar Blvd, St Louis, MO, 63112), and Suite 100 at The Pageant. Tickets can also be purchased at the Duck Room door on the night of the show, an hour prior to door time, unless the show is sold out. Tickets are not available at the Blueberry Hill bar.
Are shows wheelchair accessible?
All shows at Blueberry Hill in the Duck Room are wheelchair accessible via an elevator in the Piano Room hallway. (Please call us 24 hours in advance to coordinate.) A small percentage of shows are in the Elvis Room, which is not accessible.
Whom should I contact about band bookings?
Go to the Contact Us page and select Band Booking from the category options.
Or go to https://blueberryhill.com/band-bookings/
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